Loro-loroning atunggal, Unifier ce qui est double, 2023
Performance at la Sainte-Chapelle de Paris, France.
In collaboration with Pantcha Indra; choreographer Kadek Puspasari and composer Christophe Moure.
Press kit, Book, Record
Photography by Charlotte Robin
The performances Loro-loroning atunggal, Unifier ce qui est double were financed by Mondes nouveaux, implemented by the Ministry of Culture as part of France Relance, with the Centre des monuments nationaux.
Loro-loroning atunggal, Unifier ce qui est double, 2023
Performance at la Sainte-Chapelle de Paris, France.
In collaboration with Pantcha Indra; choreographer Kadek Puspasari and composer Christophe Moure.
Press kit, Book, Record
Photography by Charlotte Robin
The performances Loro-loroning atunggal, Unifier ce qui est double were financed by Mondes nouveaux, implemented by the Ministry of Culture as part of France Relance, with the Centre des monuments nationaux.
Loro-loroning atunggal, Unifier ce qui est double, 2023
Performance at la Sainte-Chapelle de Paris, France.
In collaboration with Pantcha Indra; choreographer Kadek Puspasari and composer Christophe Moure.
Press kit, Book, Record
Photography by Charlotte Robin
The performances Loro-loroning atunggal, Unifier ce qui est double were financed by Mondes nouveaux, implemented by the Ministry of Culture as part of France Relance, with the Centre des monuments nationaux.
A Glimpse Of A Brick Wall Through A White Wall, Château de Jolimont, Bruxelles, 2022
Photography by Fabien Silvestre-Suzor.
3×1,4m. Teinture, fruits, coton pigments. Curator: Leonore Larrera, from the exhibition Home is Where She Haunt Is
A Glimpse Of A Brick Wall Through A White Wall, Des Bains Gallery, Londres, 2022
Photography by Fabien Silvestre-Suzor.
2,5×1,8m. Teinture, fruits, coton pigments. Curator: Leonore Larrera, from the exhibition Home is Where She Haunt Is
A Glimpse Of A Brick Wall Through A White Wall, Des Bains Gallery, Londres, 2022
Photography by Fabien Silvestre-Suzor.
2,5×1,8m. Teinture, fruits, coton pigments. Curator: Leonore Larrera, from the exhibition Home is Where She Haunt Is
To Lighten The Burden Of All Wall, Sissi Club, Marseille, 2022
Installation In situ. Photography by Theo Eschenauer and Amalia Laurent.
7×1,5m. Teinture, fruits, coton pigments. Curators: Elise Poitevin and Anne Vimeux.
Temple, 2022
Installation In situ. Photography by Fabien Silvestre-Suzor.
7,5×3,5m. Teinture, fruits, coton pigments.
Pour alléger le fardeau des murs, 2022
Installation In situ. Photography by Fabien Silvestre-Suzor.
7,5m×3,5m. Teinture, fruits, coton pigments.
A Room You May Have Missed #3, 2020, Milan, Italy
Installation by Laurent Roque.
In collaboration with Linnéa Bake (text), Uèle Lamore (sound pieces), Fabien Silvestre-Suzor (photography)
A Room You May Have Missed #3, 2020, Milan, Italy
Installation by Laurent Roque.
In collaboration with Linnéa Bake (text), Uèle Lamore (sound pieces), Fabien Silvestre-Suzor (photography)
A Room You May Have Missed #3, 2020, Milan, Italy
Installation by Laurent Roque.
In collaboration with Linnéa Bake (text), Uèle Lamore (sound pieces), Fabien Silvestre-Suzor (photography)
A Room You May Have Missed #3, 2020, Milan, Italy
Installation by Laurent Roque.
In collaboration with Linnéa Bake (text), Uèle Lamore (sound pieces), Fabien Silvestre-Suzor (photography)
Là, il fixe des vertiges, 2021
CRAC Occitanie, Sète, France. Monumental in situ installation.
Dies, pigments, leaves, fruits. 1000 × 400 cm. Photography by Cyril Boixel.
Là, il fixe des vertiges, 2021
CRAC Occitanie, Sète, France
Text by Rémi Guezodje. Photography by Cyril Boixel.
Là, il fixe des vertiges, 2021
CRAC Occitanie, Sète, France
Text by Rémi Guezodje. Photography by Cyril Boixel.
Là, il fixe des vertiges, 2021
CRAC Occitanie, Sète, France. Monumental in situ installation.
Dies, pigments, leaves, fruits. 1000 × 400 cm. Photography by Cyril Boixel.
Recording of Genthasari -Javanese Gamelan band-
on the 1887 historic Gamelan at la Philharmonie de Paris
Amalia Laurent’s photographs.
Mouvement Magazine, janvier 2021.
Untitled, 2020-2021
Dies, fruits, pigments.
Untitled, 2020-2021
Dies, fruits, pigments.
Untitled, 2020-2021
Dies, fruits, pigments.
Untitled, 2020-2021
Dies, fruits, pigments.
Rhythm Section Scarf, 2021
Rien de nouveau sous le soleil, 2021
In situ installation. With the help of Alix Roque and Faugères town hall, Delphine Roque,
the eleven winemakers and Claude Froidevaux from Pierres Sèches group. Text by Maud Marron-Wojewodzki and François Michaud. Dye, fruits, pigments.
Rien de nouveau sous le soleil, 2021
In situ installation. With the help of Alix Roque and Faugères town hall, Delphine Roque,
the eleven winemakers and Claude Froidevaux from Pierres Sèches group. Text by Maud Marron-Wojewodzki and François Michaud. Dye, fruits, pigments.
Rien de nouveau sous le soleil, 2021
In situ installation. With the help of Alix Roque and Faugères town hall, Delphine Roque,
the eleven winemakers and Claude Froidevaux from Pierres Sèches group. Text by Maud Marron-Wojewodzki and François Michaud. Dye, fruits, pigments.
Rien de nouveau sous le soleil, 2021
In situ installation. With the help of Alix Roque and Faugères town hall, Delphine Roque, the eleven winemakers and Claude Froidevaux from Pierres Sèches group.
Text by Maud Marron-Wojewodzki and François Michaud. Dye, fruits, pigments.
Edition Témoin, 2020-2022
Project initiated by Héloïse Colrat and Amalia Laurent with 42 participants.
Graphic design by Loup Lopez, streets photographs by Heloïse Colrat. Digital print on blueback, screenprint, sticker, card tube. 21 × 300 cm
Edition Témoin, 2020-2022
Project initiated by Héloïse Colrat and Amalia Laurent with 42 participants.
Graphic design by Loup Lopez, streets photographs by Heloïse Colrat. Digital print on blueback, screenprint, sticker, card tube. 21 × 300 cm
Vague du réel, sous verre, 2020
Liège, Belgium. In situ installation.
Batik, dye, fruits, pigments, digital print on banner. 500×260×300 cm
Vague du réel, sous verre, 2020
Liège, Belgium. In situ installation.
Batik, dye, fruits, pigments, digital print on banner. 500 × 260 × 300 cm
La fosse du désir partagé, 2020
Hair, wood
« Par les cheveux de l’âme, il la tenait pendant qu’elle agitait en elle-même de vains projets de résistance, qu’elle se débattait en vains mouvements, en vains retours, en vains déplacements, glissant malgré elle, glissant déjà presque tout entière suspendue, au dessus de la fosse du désir partagé. » Henri Michaux, À distance.
La fosse du désir partagé, 2020
Hair, wood
« Par les cheveux de l’âme, il la tenait pendant qu’elle agitait en elle-même de vains projets de résistance, qu’elle se débattait en vains mouvements, en vains retours, en vains déplacements, glissant malgré elle, glissant déjà presque tout entière suspendue, au dessus de la fosse du désir partagé. » Henri Michaux, À distance.
Preuve de la réalité d’un balcon imaginaire, 2020
In situ installation
Print on paper 80g
Preuve de la réalité d’un balcon imaginaire, 2020
In situ installation
Print on paper 80g
Sous les platanes, 2019
Dye, batik, pigments, cotton
150 × 800cm
Sous les platanes, 2019
Dye, batik, pigments, cotton
150 × 800cm
Balcon, 2020
Digital print on fabric and wax
70 × 55cm
Balcon, 2020
Digital print on fabric and wax
70 × 55cm
Il est midi, 2019
In situ installation by Laurent Roque
Curated by Héloïse Colrat
Acrylic on cotton, ayran, survival blanket, spots, metal structure, gelatin.
Images © Fabien Silvestre-Suzor
Il est midi, 2019
In situ installation by Laurent Roque
Curated by Héloïse Colrat
Acrylic on cotton, ayran, survival blanket, spots, metal structure, gelatin.
Images © Fabien Silvestre-Suzor
Kesan Dan Kenangan, 2019
In situ installation
Batik, dye, fruits, pigments, digital print on banner
220 × 200 × 30cm
Kesan Dan Kenangan, 2020
In situ installation
Batik, dye, fruits, pigments, digital print on banner
240 × 190 × 110cm
North/West, 2019
Batik, fruits, barks, pigments, dye
250 × 150cm
Performance at 0fr. Centquatre
Kenduren Ceremony, 2019
Photos © Frida Vega Salomonsson
Performance at 0fr. Centquatre
Kenduren Ceremony, 2019
A Room You May Have Missed #2, Paris 2019
Installation and painting by Laurent Roque
In collaboration with Yndi Ferreira (performance), Fabien Silvestre Suzor (photography) and Jessica Freeman-Attwood (text)
A Room You May Have Missed #2, Paris 2019
Installation and painting by Laurent Roque
In collaboration with Yndi Ferreira (performance), Fabien Silvestre Suzor (photography) and Jessica Freeman-Attwood (text)
A Room You May Have Missed #2, Paris 2019
Yndi Ferreira's performance in the installation during the private view
A Room You May Have Missed #2, Paris 2019
Installation and painting by Laurent Roque
In collaboration with Yndi Ferreira (performance), Fabien Silvestre Suzor (photography) and Jessica Freeman-Attwood (text)
Vue 1, 2019
Digital print on plastic, 150 × 170 cm
Exhibition In situ Percer les épaisseurs, 2019
Digital print on plastic
110 × 25 cm
Vue de haut 1, 2019
Dye, batik and pigment on cotton, rattan, digital print
50 × 70 cm
Installation view Personne ne répond d'ici, 2019
Ceramic, digital print on fabric, dye, batik, pigment, rattan, wood
700 × 300 cm
Image © Florian Bouzigues
Persienne, 2019
Dye, batik and pigment on coton, rattan, digital print
50 × 70 cm
Fountain, 2019
Digital print on fabric
60 × 50 × 50 cm
Image © Florian Bouzigues
South / North (left), East / West (right), 2019
Dye, batik and pigment on cotton
90 × 130 cm
The Line, 2019
Stamp on paper, 10 × 10 cm
Pleiade Fountain, 2018
Ceramic and printed plastic
50 × 50 × 50 cm
Pleiade Fountain, 2018
Ceramic and printed plastic
50 × 50 × 50 cm
Spacing Plate, 2018
Digital print on dish
All Are Waiting But To Be Alive
Tous n'attendent que d'être vivant
Sedoyo Nenggo Gesang Malih
Batik and wax
All Are Waiting But To Be Alive
Tous n'attendent que d'être vivant
Sedoyo Nenggo Gesang Malih
Batik and wax
All Are Waiting But To Be Alive
Tous n'attendent que d'être vivant
Sedoyo Nenggo Gesang Malih
Performance, 7 min
Les blancs des cartes, 2017
Digital print and wood
26 × 41 cm
Alephs, 2018
Installation, steel, digital print and rattan wood
170 × 140 cm
Souvenir from Aleph, 2018
A Room You May Have Missed, 2018
Installation & painting by Laurent Roque
In collaboration with Alyssia Lou, Fabien Silvestre Suzor and Jessica Freeman-Attwood
A Room You May Have Missed, 2018
Installation & painting by Laurent Roque
In collaboration with Alyssia Lou, Fabien Silvestre Suzor and Jessica Freeman-Attwood
A Room You May Have Missed, 2018
Installation & painting by Laurent Roque
In collaboration with Alyssia Lou, Fabien Silvestre Suzor and Jessica Freeman-Attwood
A Room You May Have Missed, 2018
Installation & painting by Laurent Roque
In collaboration with Alyssia Lou, Fabien Silvestre Suzor and Jessica Freeman-Attwood
L'eau mêlée de nuit, 2017
Monoprint, 80 × 60 cm
How To Immerse, 2016
Book, 20 × 14,5 cm
Turn Into Moisture, 2017
Digital print, 200 × 300 cm
Turn Into Moisture, 2018
Installation, digital print and ceramics
210 × 300 × 100 cm
Perjalanan, 2014
Book, 20,5 × 29,5 cm
Perjalanan, 2014
Book, 20,5 × 29,5 cm
Pléiades, 2017
Digital print, 90 × 70 cm
Loro-loroning atunggal, Unifier ce qui est double, 2023
Performance at la Sainte-Chapelle de Paris. In collaboration with Pantcha Indra.
Press kit here. Book, video and record soon to come.
Loro-loroning atunggal, Unifier ce qui est double, 2023
Performance at la Sainte-Chapelle de Paris. In collaboration with Pantcha Indra.
Press kit here. Book, video and record soon to come.
Loro-loroning atunggal, Unifier ce qui est double, 2023
Performance at la Sainte-Chapelle de Paris. In collaboration with Pantcha Indra.
Press kit here. Book, video and record soon to come.
A Glimpse Of A Brick Wall Through A White Wall, Château de Jolimont, Bruxelles, 2022
Photography by Fabien Silvestre-Suzor.
3×1,4m. Teinture, fruits, coton pigments. Curator: Leonore Larrera, from the exhibition Home is Where She Haunt Is
A Glimpse Of A Brick Wall Through A White Wall, Des Bains Gallery, Londres, 2022
Photography by Fabien Silvestre-Suzor.
2,5×1,8m. Teinture, fruits, coton pigments. Curator: Leonore Larrera, from the exhibition Home is Where She Haunt Is
A Glimpse Of A Brick Wall Through A White Wall, Des Bains Gallery, Londres, 2022
Photography by Fabien Silvestre-Suzor.
2,5×1,8m. Teinture, fruits, coton pigments. Curator: Leonore Larrera, from the exhibition Home is Where She Haunt Is
To Lighten The Burden Of All Wall, Sissi Club, Marseille, 2022
Installation In situ. Photography by Theo Eschenauer and Amalia Laurent.
7×1,5m. Teinture, fruits, coton pigments. Curators: Elise Poitevin and Anne Vimeux.
Temple, 2022
Installation In situ. Photography by Fabien Silvestre-Suzor.
7,5×3,5m. Teinture, fruits, coton pigments.
Pour alléger le fardeau des murs, 2022
Installation In situ. Photography by Fabien Silvestre-Suzor.
7,5m×3,5m. Teinture, fruits, coton pigments.
A Room You May Have Missed #3, 2020, Milan, Italy
Installation by Laurent Roque.
In collaboration with Linnéa Bake (text), Uèle Lamore (sound pieces), Fabien Silvestre-Suzor (photography)
A Room You May Have Missed #3, 2020, Milan, Italy
Installation by Laurent Roque.
In collaboration with Linnéa Bake (text), Uèle Lamore (sound pieces), Fabien Silvestre-Suzor (photography)
A Room You May Have Missed #3, 2020, Milan, Italy
Installation by Laurent Roque.
In collaboration with Linnéa Bake (text), Uèle Lamore (sound pieces), Fabien Silvestre-Suzor (photography)
A Room You May Have Missed #3, 2020, Milan, Italy
Installation by Laurent Roque.
In collaboration with Linnéa Bake (text), Uèle Lamore (sound pieces), Fabien Silvestre-Suzor (photography)
Là, il fixe des vertiges, 2021
CRAC Occitanie, Sète, France. Monumental in situ installation.
Dies, pigments, leaves, fruits. 1000 × 400 cm. Photography by Cyril Boixel.
Là, il fixe des vertiges, 2021
CRAC Occitanie, Sète, France
Text by Rémi Guezodje. Photography by Cyril Boixel.
Là, il fixe des vertiges, 2021
CRAC Occitanie, Sète, France
Text by Rémi Guezodje. Photography by Cyril Boixel.
Là, il fixe des vertiges, 2021
CRAC Occitanie, Sète, France. Monumental in situ installation.
Dies, pigments, leaves, fruits. 1000 × 400 cm. Photography by Cyril Boixel.
Recording of Genthasari -Javanese Gamelan band-
on the 1887 historic Gamelan at la Philharmonie de Paris
Amalia Laurent’s photographs.
Mouvement Magazine, janvier 2021.
Untitled, 2020-2021
Dies, fruits, pigments.
Untitled, 2020-2021
Dies, fruits, pigments.
Untitled, 2020-2021
Dies, fruits, pigments.
Untitled, 2020-2021
Dies, fruits, pigments.
Rhythm Section Scarf, 2021
Rien de nouveau sous le soleil, 2021
In situ installation. With the help of Alix Roque and Faugères town hall, Delphine Roque,
the eleven winemakers and Claude Froidevaux from Pierres Sèches group. Text by Maud Marron-Wojewodzki and François Michaud. Dye, fruits, pigments.
Rien de nouveau sous le soleil, 2021
In situ installation. With the help of Alix Roque and Faugères town hall, Delphine Roque,
the eleven winemakers and Claude Froidevaux from Pierres Sèches group. Text by Maud Marron-Wojewodzki and François Michaud. Dye, fruits, pigments.
Rien de nouveau sous le soleil, 2021
In situ installation. With the help of Alix Roque and Faugères town hall, Delphine Roque,
the eleven winemakers and Claude Froidevaux from Pierres Sèches group. Text by Maud Marron-Wojewodzki and François Michaud. Dye, fruits, pigments.
Rien de nouveau sous le soleil, 2021
In situ installation. With the help of Alix Roque and Faugères town hall, Delphine Roque, the eleven winemakers and Claude Froidevaux from Pierres Sèches group.
Text by Maud Marron-Wojewodzki and François Michaud. Dye, fruits, pigments.
Edition Témoin, 2020-2022
Project initiated by Héloïse Colrat and Amalia Laurent with 42 participants.
Graphic design by Loup Lopez, streets photographs by Heloïse Colrat. Digital print on blueback, screenprint, sticker, card tube. 21 × 300 cm
Edition Témoin, 2020-2022
Project initiated by Héloïse Colrat and Amalia Laurent with 42 participants.
Graphic design by Loup Lopez, streets photographs by Heloïse Colrat. Digital print on blueback, screenprint, sticker, card tube. 21 × 300 cm
Vague du réel, sous verre, 2020
Liège, Belgium. In situ installation.
Batik, dye, fruits, pigments, digital print on banner. 500×260×300 cm
Vague du réel, sous verre, 2020
Liège, Belgium. In situ installation.
Batik, dye, fruits, pigments, digital print on banner. 500 × 260 × 300 cm
La fosse du désir partagé, 2020
Hair, wood
« Par les cheveux de l’âme, il la tenait pendant qu’elle agitait en elle-même de vains projets de résistance, qu’elle se débattait en vains mouvements, en vains retours, en vains déplacements, glissant malgré elle, glissant déjà presque tout entière suspendue, au dessus de la fosse du désir partagé. » Henri Michaux, À distance.
La fosse du désir partagé, 2020
Hair, wood
« Par les cheveux de l’âme, il la tenait pendant qu’elle agitait en elle-même de vains projets de résistance, qu’elle se débattait en vains mouvements, en vains retours, en vains déplacements, glissant malgré elle, glissant déjà presque tout entière suspendue, au dessus de la fosse du désir partagé. » Henri Michaux, À distance.
Preuve de la réalité d’un balcon imaginaire, 2020
In situ installation
Print on paper 80g
Preuve de la réalité d’un balcon imaginaire, 2020
In situ installation
Print on paper 80g
Sous les platanes, 2019
Dye, batik, pigments, cotton
150 × 800cm
Sous les platanes, 2019
Dye, batik, pigments, cotton
150 × 800cm
Balcon, 2020
Digital print on fabric and wax
70 × 55cm
Balcon, 2020
Digital print on fabric and wax
70 × 55cm
Il est midi, 2019
In situ installation by Laurent Roque
Curated by Héloïse Colrat
Acrylic on cotton, ayran, survival blanket, spots, metal structure, gelatin.
Images © Fabien Silvestre-Suzor
Il est midi, 2019
In situ installation by Laurent Roque
Curated by Héloïse Colrat
Acrylic on cotton, ayran, survival blanket, spots, metal structure, gelatin.
Images © Fabien Silvestre-Suzor
Kesan Dan Kenangan, 2019
In situ installation
Batik, dye, fruits, pigments, digital print on banner
220 × 200 × 30cm
Kesan Dan Kenangan, 2020
In situ installation
Batik, dye, fruits, pigments, digital print on banner
240 × 190 × 110cm
North/West, 2019
Batik, fruits, barks, pigments, dye
250 × 150cm
Performance at 0fr. Centquatre
Kenduren Ceremony, 2019
Photos © Frida Vega Salomonsson
Performance at 0fr. Centquatre
Kenduren Ceremony, 2019
A Room You May Have Missed #2, Paris 2019
Installation and painting by Laurent Roque
In collaboration with Yndi Ferreira (performance), Fabien Silvestre Suzor (photography) and Jessica Freeman-Attwood (text)
A Room You May Have Missed #2, Paris 2019
Installation and painting by Laurent Roque
In collaboration with Yndi Ferreira (performance), Fabien Silvestre Suzor (photography) and Jessica Freeman-Attwood (text)
A Room You May Have Missed #2, Paris 2019
Yndi Ferreira's performance in the installation during the private view
A Room You May Have Missed #2, Paris 2019
Installation and painting by Laurent Roque
In collaboration with Yndi Ferreira (performance), Fabien Silvestre Suzor (photography) and Jessica Freeman-Attwood (text)
Vue 1, 2019
Digital print on plastic, 150 × 170 cm
Exhibition In situ Percer les épaisseurs, 2019
Digital print on plastic
110 × 25 cm
Vue de haut 1, 2019
Dye, batik and pigment on cotton, rattan, digital print
50 × 70 cm
Installation view Personne ne répond d'ici, 2019
Ceramic, digital print on fabric, dye, batik, pigment, rattan, wood
700 × 300 cm
Image © Florian Bouzigues
Persienne, 2019
Dye, batik and pigment on coton, rattan, digital print
50 × 70 cm
Fountain, 2019
Digital print on fabric
60 × 50 × 50 cm
Image © Florian Bouzigues
South / North (left), East / West (right), 2019
Dye, batik and pigment on cotton
90 × 130 cm
The Line, 2019
Stamp on paper, 10 × 10 cm
Pleiade Fountain, 2018
Ceramic and printed plastic
50 × 50 × 50 cm
Pleiade Fountain, 2018
Ceramic and printed plastic
50 × 50 × 50 cm
Spacing Plate, 2018
Digital print on dish
All Are Waiting But To Be Alive
Tous n'attendent que d'être vivant
Sedoyo Nenggo Gesang Malih
Batik and wax
All Are Waiting But To Be Alive
Tous n'attendent que d'être vivant
Sedoyo Nenggo Gesang Malih
Batik and wax
All Are Waiting But To Be Alive
Tous n'attendent que d'être vivant
Sedoyo Nenggo Gesang Malih
Performance, 7 min
Les blancs des cartes, 2017
Digital print and wood
26 × 41 cm
Alephs, 2018
Installation, steel, digital print and rattan wood
170 × 140 cm
Souvenir from Aleph, 2018
A Room You May Have Missed, 2018
Installation & painting by Laurent Roque
In collaboration with Alyssia Lou, Fabien Silvestre Suzor and Jessica Freeman-Attwood
A Room You May Have Missed, 2018
Installation & painting by Laurent Roque
In collaboration with Alyssia Lou, Fabien Silvestre Suzor and Jessica Freeman-Attwood
A Room You May Have Missed, 2018
Installation & painting by Laurent Roque
In collaboration with Alyssia Lou, Fabien Silvestre Suzor and Jessica Freeman-Attwood
A Room You May Have Missed, 2018
Installation & painting by Laurent Roque
In collaboration with Alyssia Lou, Fabien Silvestre Suzor and Jessica Freeman-Attwood
L'eau mêlée de nuit, 2017
Monoprint, 80 × 60 cm
How To Immerse, 2016
Book, 20 × 14,5 cm
Turn Into Moisture, 2017
Digital print, 200 × 300 cm
Turn Into Moisture, 2018
Installation, digital print and ceramics
210 × 300 × 100 cm
Perjalanan, 2014
Book, 20,5 × 29,5 cm
Perjalanan, 2014
Book, 20,5 × 29,5 cm
Pléiades, 2017
Digital print, 90 × 70 cm