Currently works between Paris and Nîmes, France.
Also studying at École des Hautes Etudes en Sciences Sociales (M1).

Part of Genthasari, Javanese Gamelan band.
Graduated from Art Décoratifs, Strasbourg (BA) and Royal College of Art, London (MA).
Extended portfolio available on request amalia.laurent@gmail.com.
Design & Website

Alyssia Lou

A Room You May Have Missed #3, 2020, Milan, Italy
Installation by Laurent Roque.
In collaboration with Linnéa Bake (text), Uèle Lamore (sound pieces), Fabien Silvestre-Suzor (photography)

A Room You May Have Missed #3, 2020, Milan, Italy
Installation by Laurent Roque.
In collaboration with Linnéa Bake (text), Uèle Lamore (sound pieces), Fabien Silvestre-Suzor (photography)

A Room You May Have Missed #3, 2020, Milan, Italy
Installation by Laurent Roque.
In collaboration with Linnéa Bake (text), Uèle Lamore (sound pieces), Fabien Silvestre-Suzor (photography)

A Room You May Have Missed #3, 2020, Milan, Italy
Installation by Laurent Roque.
In collaboration with Linnéa Bake (text), Uèle Lamore (sound pieces), Fabien Silvestre-Suzor (photography)

Là, il fixe des vertiges, 2021
CRAC Occitanie, Sète, France. Monumental in situ installation.
Dies, pigments, leaves, fruits. 1000 × 400 cm. Photography by Cyril Boixel.

Là, il fixe des vertiges, 2021
CRAC Occitanie, Sète, France
Text by Rémi Guezodje. Photography by Cyril Boixel.

Là, il fixe des vertiges, 2021
CRAC Occitanie, Sète, France
Text by Rémi Guezodje. Photography by Cyril Boixel.

Là, il fixe des vertiges, 2021
CRAC Occitanie, Sète, France. Monumental in situ installation.
Dies, pigments, leaves, fruits. 1000 × 400 cm. Photography by Cyril Boixel.

Recording of Genthasari -Javanese Gamelan band-
on the 1887 historic Gamelan at la Philharmonie de Paris
Amalia Laurent’s photographs.

Mouvement Magazine, janvier 2021.

Untitled, 2020-2021
Dies, fruits, pigments.

Untitled, 2020-2021
Dies, fruits, pigments.

Untitled, 2020-2021
Dies, fruits, pigments.

Untitled, 2020-2021
Dies, fruits, pigments.

Rhythm Section Scarf, 2021

Rien de nouveau sous le soleil, 2021
In situ installation. With the help of Alix Roque and Faugères town hall, Delphine Roque,
the eleven winemakers and Claude Froidevaux from Pierres Sèches group. Text by Maud Marron-Wodjewodski and François Michaud. Dye, fruits, pigments.

Rien de nouveau sous le soleil, 2021
In situ installation. With the help of Alix Roque and Faugères town hall, Delphine Roque,
the eleven winemakers and Claude Froidevaux from Pierres Sèches group. Text by Maud Marron-Wodjewodski and François Michaud. Dye, fruits, pigments.

Rien de nouveau sous le soleil, 2021
In situ installation. With the help of Alix Roque and Faugères town hall, Delphine Roque,
the eleven winemakers and Claude Froidevaux from Pierres Sèches group. Text by Maud Marron-Wodjewodski and François Michaud. Dye, fruits, pigments.

Rien de nouveau sous le soleil, 2021
In situ installation. With the help of Alix Roque and Faugères town hall, Delphine Roque, the eleven winemakers and Claude Froidevaux from Pierres Sèches group.
Text by Maud Marron-Wodjewodski and François Michaud. Dye, fruits, pigments.

Edition Témoin, 2020-2022
Project initiated by Héloïse Colrat and Amalia Laurent with 42 participants.
Graphic design by Loup Lopez, streets photographs by Heloïse Colrat. Digital print on blueback, screenprint, sticker, card tube. 21 × 300 cm

Edition Témoin, 2020-2022
Project initiated by Héloïse Colrat and Amalia Laurent with 42 participants.
Graphic design by Loup Lopez, streets photographs by Heloïse Colrat. Digital print on blueback, screenprint, sticker, card tube. 21 × 300 cm

Vague du réel, sous verre, 2020
Liège, Belgium. In situ installation.
Batik, dye, fruits, pigments, digital print on banner. 500×260×300 cm

Vague du réel, sous verre, 2020
Liège, Belgium. In situ installation.
Batik, dye, fruits, pigments, digital print on banner. 500 × 260 × 300 cm

La fosse du désir partagé, 2020
Hair, wood
« Par les cheveux de l’âme, il la tenait pendant qu’elle agitait en elle-même de vains projets de résistance, qu’elle se débattait en vains mouvements, en vains retours, en vains déplacements, glissant malgré elle, glissant déjà presque tout entière suspendue, au dessus de la fosse du désir partagé. » Henri Michaux, À distance.

La fosse du désir partagé, 2020
Hair, wood
« Par les cheveux de l’âme, il la tenait pendant qu’elle agitait en elle-même de vains projets de résistance, qu’elle se débattait en vains mouvements, en vains retours, en vains déplacements, glissant malgré elle, glissant déjà presque tout entière suspendue, au dessus de la fosse du désir partagé. » Henri Michaux, À distance.

Preuve de la réalité d’un balcon imaginaire, 2020
In situ installation
Print on paper 80g

Preuve de la réalité d’un balcon imaginaire, 2020
In situ installation
Print on paper 80g

Sous les platanes, 2019
Dye, batik, pigments, cotton
150 × 800cm

Sous les platanes, 2019
Dye, batik, pigments, cotton
150 × 800cm

Balcon, 2020
Digital print on fabric and wax
70 × 55cm

Balcon, 2020
Digital print on fabric and wax
70 × 55cm

Il est midi, 2019
In situ installation by Laurent Roque
Curated by Héloïse Colrat
Acrylic on cotton, ayran, survival blanket, spots, metal structure, gelatin.
Images © Fabien Silvestre-Suzor

Il est midi, 2019
In situ installation by Laurent Roque
Curated by Héloïse Colrat
Acrylic on cotton, ayran, survival blanket, spots, metal structure, gelatin.
Images © Fabien Silvestre-Suzor

Kesan Dan Kenangan, 2019
In situ installation
Batik, dye, fruits, pigments, digital print on banner
220 × 200 × 30cm

Kesan Dan Kenangan, 2020
In situ installation
Batik, dye, fruits, pigments, digital print on banner
240 × 190 × 110cm

North/West, 2019
Batik, fruits, barks, pigments, dye
250 × 150cm

Performance at 0fr. Centquatre
Kenduren Ceremony, 2019
Photos © Frida Vega Salomonsson

Performance at 0fr. Centquatre
Kenduren Ceremony, 2019

A Room You May Have Missed #2, Paris 2019
Installation and painting by Laurent Roque
In collaboration with Yndi Ferreira (performance), Fabien Silvestre Suzor (photography) and Jessica Freeman-Attwood (text)

A Room You May Have Missed #2, Paris 2019
Installation and painting by Laurent Roque
In collaboration with Yndi Ferreira (performance), Fabien Silvestre Suzor (photography) and Jessica Freeman-Attwood (text)

A Room You May Have Missed #2, Paris 2019
Yndi Ferreira's performance in the installation during the private view

A Room You May Have Missed #2, Paris 2019
Installation and painting by Laurent Roque
In collaboration with Yndi Ferreira (performance), Fabien Silvestre Suzor (photography) and Jessica Freeman-Attwood (text)

Vue 1, 2019
Digital print on plastic, 150 × 170 cm

Exhibition In situ Percer les épaisseurs, 2019
Digital print on plastic
110 × 25 cm

Vue de haut 1, 2019
Dye, batik and pigment on cotton, rattan, digital print
50 × 70 cm

Installation view Personne ne répond d'ici, 2019
Ceramic, digital print on fabric, dye, batik, pigment, rattan, wood
700 × 300 cm
Image © Florian Bouzigues

Persienne, 2019
Dye, batik and pigment on coton, rattan, digital print
50 × 70 cm

Fountain, 2019
Digital print on fabric
60 × 50 × 50 cm
Image © Florian Bouzigues

South / North (left), East / West (right), 2019
Dye, batik and pigment on cotton
90 × 130 cm

The Line, 2019
Stamp on paper, 10 × 10 cm

Pleiade Fountain, 2018
Ceramic and printed plastic
50 × 50 × 50 cm

Pleiade Fountain, 2018
Ceramic and printed plastic
50 × 50 × 50 cm

Spacing Plate, 2018
Digital print on dish

All Are Waiting But To Be Alive
Tous n'attendent que d'être vivant
Sedoyo Nenggo Gesang Malih
Batik and wax

All Are Waiting But To Be Alive
Tous n'attendent que d'être vivant
Sedoyo Nenggo Gesang Malih
Batik and wax

All Are Waiting But To Be Alive
Tous n'attendent que d'être vivant
Sedoyo Nenggo Gesang Malih
Performance, 7 min

Les blancs des cartes, 2017
Digital print and wood
26 × 41 cm

Alephs, 2018
Installation, steel, digital print and rattan wood
170 × 140 cm

Souvenir from Aleph, 2018

A Room You May Have Missed, 2018
Installation & painting by Laurent Roque
In collaboration with Alyssia Lou, Fabien Silvestre Suzor and Jessica Freeman-Attwood

A Room You May Have Missed, 2018
Installation & painting by Laurent Roque
In collaboration with Alyssia Lou, Fabien Silvestre Suzor and Jessica Freeman-Attwood

A Room You May Have Missed, 2018
Installation & painting by Laurent Roque
In collaboration with Alyssia Lou, Fabien Silvestre Suzor and Jessica Freeman-Attwood

A Room You May Have Missed, 2018
Installation & painting by Laurent Roque
In collaboration with Alyssia Lou, Fabien Silvestre Suzor and Jessica Freeman-Attwood

L'eau mêlée de nuit, 2017
Monoprint, 80 × 60 cm

How To Immerse, 2016
Book, 20 × 14,5 cm

Turn Into Moisture, 2017
Digital print, 200 × 300 cm

Turn Into Moisture, 2018
Installation, digital print and ceramics
210 × 300 × 100 cm

Perjalanan, 2014
Book, 20,5 × 29,5 cm

Perjalanan, 2014
Book, 20,5 × 29,5 cm

Pléiades, 2017
Digital print, 90 × 70 cm

A Room You May Have Missed #3, 2020, Milan, Italy
Installation by Laurent Roque.
In collaboration with Linnéa Bake (text), Uèle Lamore (sound pieces), Fabien Silvestre-Suzor (photography)

A Room You May Have Missed #3, 2020, Milan, Italy
Installation by Laurent Roque.
In collaboration with Linnéa Bake (text), Uèle Lamore (sound pieces), Fabien Silvestre-Suzor (photography)

A Room You May Have Missed #3, 2020, Milan, Italy
Installation by Laurent Roque.
In collaboration with Linnéa Bake (text), Uèle Lamore (sound pieces), Fabien Silvestre-Suzor (photography)

A Room You May Have Missed #3, 2020, Milan, Italy
Installation by Laurent Roque.
In collaboration with Linnéa Bake (text), Uèle Lamore (sound pieces), Fabien Silvestre-Suzor (photography)

Là, il fixe des vertiges, 2021
CRAC Occitanie, Sète, France. Monumental in situ installation.
Dies, pigments, leaves, fruits. 1000 × 400 cm. Photography by Cyril Boixel.

Là, il fixe des vertiges, 2021
CRAC Occitanie, Sète, France
Text by Rémi Guezodje. Photography by Cyril Boixel.

Là, il fixe des vertiges, 2021
CRAC Occitanie, Sète, France
Text by Rémi Guezodje. Photography by Cyril Boixel.

Là, il fixe des vertiges, 2021
CRAC Occitanie, Sète, France. Monumental in situ installation.
Dies, pigments, leaves, fruits. 1000 × 400 cm. Photography by Cyril Boixel.

Recording of Genthasari -Javanese Gamelan band-
on the 1887 historic Gamelan at la Philharmonie de Paris
Amalia Laurent’s photographs.

Mouvement Magazine, janvier 2021.

Untitled, 2020-2021
Dies, fruits, pigments.

Untitled, 2020-2021
Dies, fruits, pigments.

Untitled, 2020-2021
Dies, fruits, pigments.

Untitled, 2020-2021
Dies, fruits, pigments.

Rhythm Section Scarf, 2021

Rien de nouveau sous le soleil, 2021
In situ installation. With the help of Alix Roque and Faugères town hall, Delphine Roque,
the eleven winemakers and Claude Froidevaux from Pierres Sèches group. Text by Maud Marron-Wodjewodski and François Michaud. Dye, fruits, pigments.

Rien de nouveau sous le soleil, 2021
In situ installation. With the help of Alix Roque and Faugères town hall, Delphine Roque,
the eleven winemakers and Claude Froidevaux from Pierres Sèches group. Text by Maud Marron-Wodjewodski and François Michaud. Dye, fruits, pigments.

Rien de nouveau sous le soleil, 2021
In situ installation. With the help of Alix Roque and Faugères town hall, Delphine Roque,
the eleven winemakers and Claude Froidevaux from Pierres Sèches group. Text by Maud Marron-Wodjewodski and François Michaud. Dye, fruits, pigments.

Rien de nouveau sous le soleil, 2021
In situ installation. With the help of Alix Roque and Faugères town hall, Delphine Roque, the eleven winemakers and Claude Froidevaux from Pierres Sèches group.
Text by Maud Marron-Wodjewodski and François Michaud. Dye, fruits, pigments.

Edition Témoin, 2020-2022
Project initiated by Héloïse Colrat and Amalia Laurent with 42 participants.
Graphic design by Loup Lopez, streets photographs by Heloïse Colrat. Digital print on blueback, screenprint, sticker, card tube. 21 × 300 cm

Edition Témoin, 2020-2022
Project initiated by Héloïse Colrat and Amalia Laurent with 42 participants.
Graphic design by Loup Lopez, streets photographs by Heloïse Colrat. Digital print on blueback, screenprint, sticker, card tube. 21 × 300 cm

Vague du réel, sous verre, 2020
Liège, Belgium. In situ installation.
Batik, dye, fruits, pigments, digital print on banner. 500×260×300 cm

Vague du réel, sous verre, 2020
Liège, Belgium. In situ installation.
Batik, dye, fruits, pigments, digital print on banner. 500 × 260 × 300 cm

La fosse du désir partagé, 2020
Hair, wood
« Par les cheveux de l’âme, il la tenait pendant qu’elle agitait en elle-même de vains projets de résistance, qu’elle se débattait en vains mouvements, en vains retours, en vains déplacements, glissant malgré elle, glissant déjà presque tout entière suspendue, au dessus de la fosse du désir partagé. » Henri Michaux, À distance.

La fosse du désir partagé, 2020
Hair, wood
« Par les cheveux de l’âme, il la tenait pendant qu’elle agitait en elle-même de vains projets de résistance, qu’elle se débattait en vains mouvements, en vains retours, en vains déplacements, glissant malgré elle, glissant déjà presque tout entière suspendue, au dessus de la fosse du désir partagé. » Henri Michaux, À distance.

Preuve de la réalité d’un balcon imaginaire, 2020
In situ installation
Print on paper 80g

Preuve de la réalité d’un balcon imaginaire, 2020
In situ installation
Print on paper 80g

Sous les platanes, 2019
Dye, batik, pigments, cotton
150 × 800cm

Sous les platanes, 2019
Dye, batik, pigments, cotton
150 × 800cm

Balcon, 2020
Digital print on fabric and wax
70 × 55cm

Balcon, 2020
Digital print on fabric and wax
70 × 55cm

Il est midi, 2019
In situ installation by Laurent Roque
Curated by Héloïse Colrat
Acrylic on cotton, ayran, survival blanket, spots, metal structure, gelatin.
Images © Fabien Silvestre-Suzor

Il est midi, 2019
In situ installation by Laurent Roque
Curated by Héloïse Colrat
Acrylic on cotton, ayran, survival blanket, spots, metal structure, gelatin.
Images © Fabien Silvestre-Suzor

Kesan Dan Kenangan, 2019
In situ installation
Batik, dye, fruits, pigments, digital print on banner
220 × 200 × 30cm

Kesan Dan Kenangan, 2020
In situ installation
Batik, dye, fruits, pigments, digital print on banner
240 × 190 × 110cm

North/West, 2019
Batik, fruits, barks, pigments, dye
250 × 150cm

Performance at 0fr. Centquatre
Kenduren Ceremony, 2019
Photos © Frida Vega Salomonsson

Performance at 0fr. Centquatre
Kenduren Ceremony, 2019

A Room You May Have Missed #2, Paris 2019
Installation and painting by Laurent Roque
In collaboration with Yndi Ferreira (performance), Fabien Silvestre Suzor (photography) and Jessica Freeman-Attwood (text)

A Room You May Have Missed #2, Paris 2019
Installation and painting by Laurent Roque
In collaboration with Yndi Ferreira (performance), Fabien Silvestre Suzor (photography) and Jessica Freeman-Attwood (text)

A Room You May Have Missed #2, Paris 2019
Yndi Ferreira's performance in the installation during the private view

A Room You May Have Missed #2, Paris 2019
Installation and painting by Laurent Roque
In collaboration with Yndi Ferreira (performance), Fabien Silvestre Suzor (photography) and Jessica Freeman-Attwood (text)

Vue 1, 2019
Digital print on plastic, 150 × 170 cm

Exhibition In situ Percer les épaisseurs, 2019
Digital print on plastic
110 × 25 cm

Vue de haut 1, 2019
Dye, batik and pigment on cotton, rattan, digital print
50 × 70 cm

Installation view Personne ne répond d'ici, 2019
Ceramic, digital print on fabric, dye, batik, pigment, rattan, wood
700 × 300 cm
Image © Florian Bouzigues

Persienne, 2019
Dye, batik and pigment on coton, rattan, digital print
50 × 70 cm

Fountain, 2019
Digital print on fabric
60 × 50 × 50 cm
Image © Florian Bouzigues

South / North (left), East / West (right), 2019
Dye, batik and pigment on cotton
90 × 130 cm

The Line, 2019
Stamp on paper, 10 × 10 cm

Pleiade Fountain, 2018
Ceramic and printed plastic
50 × 50 × 50 cm

Pleiade Fountain, 2018
Ceramic and printed plastic
50 × 50 × 50 cm

Spacing Plate, 2018
Digital print on dish

All Are Waiting But To Be Alive
Tous n'attendent que d'être vivant
Sedoyo Nenggo Gesang Malih
Batik and wax

All Are Waiting But To Be Alive
Tous n'attendent que d'être vivant
Sedoyo Nenggo Gesang Malih
Batik and wax

All Are Waiting But To Be Alive
Tous n'attendent que d'être vivant
Sedoyo Nenggo Gesang Malih
Performance, 7 min

Les blancs des cartes, 2017
Digital print and wood
26 × 41 cm

Alephs, 2018
Installation, steel, digital print and rattan wood
170 × 140 cm

Souvenir from Aleph, 2018

A Room You May Have Missed, 2018
Installation & painting by Laurent Roque
In collaboration with Alyssia Lou, Fabien Silvestre Suzor and Jessica Freeman-Attwood

A Room You May Have Missed, 2018
Installation & painting by Laurent Roque
In collaboration with Alyssia Lou, Fabien Silvestre Suzor and Jessica Freeman-Attwood

A Room You May Have Missed, 2018
Installation & painting by Laurent Roque
In collaboration with Alyssia Lou, Fabien Silvestre Suzor and Jessica Freeman-Attwood

A Room You May Have Missed, 2018
Installation & painting by Laurent Roque
In collaboration with Alyssia Lou, Fabien Silvestre Suzor and Jessica Freeman-Attwood

L'eau mêlée de nuit, 2017
Monoprint, 80 × 60 cm

How To Immerse, 2016
Book, 20 × 14,5 cm

Turn Into Moisture, 2017
Digital print, 200 × 300 cm

Turn Into Moisture, 2018
Installation, digital print and ceramics
210 × 300 × 100 cm

Perjalanan, 2014
Book, 20,5 × 29,5 cm

Perjalanan, 2014
Book, 20,5 × 29,5 cm

Pléiades, 2017
Digital print, 90 × 70 cm